Finished Snow Scene, Alvaro Castagnet's New Video, Rene Beeldendkunstenaar

I've been a bit busy lately with things other than art, but that should be no excuse for not painting! However, I like to be able to concentrate solely on my art when doing it. I'm now between 'projects' around the house so am anxious to get out and paint.

Below is the finished snow study I last posted, which was unfinished at the time.

I still have a couple of things I feel the need to correct, but for the most part it's complete enough - just need to tone down the moss covered rock in the foreground and add the same color a couple of places elsewhere.  Also the small burnt red 'roof' in the upper-right background is distracting; in hindsight, I should have omitted it all together. Of course it's close enough to the edge of the painting that it can be omitted when framed. Or I could 'lift' it out some with water and add more trees.  Also, there's  a tangent effect going on between the large and tall skinny trees in the left foreground, creating too much tension and drawing my eye away from the focal point (the fallen trees and ravine to the right), but not much I can do about that.  I just placed them too close together to begin with and I should have angled or slanted the smaller tree to the right instead of swinging it back to the left.  Adding a light colored limb with a couple of others at different lengths to the left side of the tall young tree that's in front of the larger tree, I think, would help break that up though.  Anyway....


I recently received Castagnet's new video and really like it.  He gives more detailed info as he's painting in this one it than the last one i.e. specific colors he's using as he's painting.  Yes, I realize that specific color being used is not important and that it's all about warm vs. cool, and value; however, I do think it helps us the viewer 'student' know, especially when working in watercolor, whether that warm or cool color is opaque, semi-transparent, or transparent, and even what brand is being used as brands do differ in color and other characteristics.  I just wish he would occasionally demo something other than paintings with architectural subject matter.  That's just personal preference though, I'm sure that he paints those because that's what he's 'passionate' about.  And I'm still able to glean from the demos what I need in order to learn better technique.  I'm hoping that Zbukvic will do some countryside landscapes on his next video. He probably will as he seems to really enjoy painting them.

There are a couple of artists' blogs I'd like to share with you, but will just mention one for now as I'm short on time at the moment.  His name is Rene Beeldendkunstenaar, located in the Netherlands.  His blog site is  http://painting-pleinair.blogspot.com/ . When checking my blogroll updates,  I can scan like lightening through my RSS feeds and spot his work immediately.  I really admire this man's dedication to plein air, not to mention his paintings.  Rene's paintings truly capture the essence of plein air. My reaction to his paintings is visceral and I relate very strongly to his taste in subject matter. Enjoy, and 'til next time, happy living and creating...(and I'll try to post sooner next time!)

In the Hollow

Looking across the hollow at the fallen trees from last year's ice storm.

I have always loved snow - to take a woodland walk in virgin snow feeds my soul, so I-for-one was glad for the small amount we received.  It's strange how the snows began exactly one year after the devastating ice storm of last year.   A group of small young bucks along with a doe or two have been passing through, proudly strutting their two-point racks, but I've yet to catch them with my camera.

I painted the scene below Thursday morning en plein air. After about an hour, I had to return to the house (which was very close by, just up the slope) to let my feet thaw out and to dry the watercolor paper. It just would not dry in the cold air. Then I returned to the site and finished painting it. I knew it was not a keeper, but was determined to follow through with the experience.  I then returned to the studio, and after seeing that there was no saving such a pitiful painting, pulled up this photo (which I try to always take for reference when painting on site) on my computer monitor.

My view for the painting.

I then flipped over the painting and re-taped it to my gatorboard, and started again.  I was using Sanders Waterford BTW, which personally, I'm not crazy about, although, as some artists claim, it doesn't seem to buckle as much as other brands.  The unfinished result is below.   I'm not after pretty colors and reflections on the snow, but a moody, dark woodsy effect, so I probably could have used even less warm colors and gotten closer to the mood I'm after.  I just kept glazing the background over and over with blues to get the needed value, but now probably need to go a shade darker with the middle-ground, right?  Snow scenes are so easy to mess up in watercolor!

My painting in progress...

So far, I'm pleased with this one, as I think I'm ever-so-slightly getting closer to being able to portray the deep woods the way I want.  Like I did when I painted the pines.  It has been my biggest struggle (or should I say 'goal', as there are way too many struggles to list) since going back to watercolor.

Now, I'm sure your asking, "hey, where's your original plein air so I can compare?"  Well  (conveniently) it's on the reverse side of this painting, taped to the gatorboard!  But believe me, it was bad.  I'll let you know how this second attempt comes out (or maybe not, depending how much I mess this one up).  Here's to learning...

Yep, I've changed my blog background yet again (the pains of being a Gemini). Gone to the dark side, gettin' serious here...

Looking over my last post, I can see that I must have been in a really energetic mood at the time! Well, it's been over two weeks since that post and I can at least say that 3 of the 5 goals have been either fully met or at least begun:

• I have tried my new Sun-Eden tripod. I also purchased a new bag, the Guerilla Plein Air Packer has been at a great value for $44, the cheapest I've been able to find it by ASW (ASWeXpress.com). Pros and Cons regarding the 'Packer':
  

1. Love that the Packer fits all my gear, including the tray that goes with my Sun-Eden tripod along with watercolor paper (quarter sheets), and I use the 'back pack' straps to hold my gatorboard. It has straps underneath to hold my tripod and the 'travel adaptor' (the canvas/waterboard holder) or a fold-up chair or waterever.
2. What I don't love is that the shoulder strap is poorly designed as well as the flap that folds over the bag. The strap is adjustable but the shoulder 'pad' is not wide enough to slide over the part that adjusts the strap, so what's the use of shortening it if I can't slide the pad? The flap for the bag is connected by two zippers, just another thing (or 2) to break in my opinion, which one of them almost did the first time I tried to zip it closed because it 'snagged', you know like zippers do. It would be better if it had been either Velcro or buckles; then I could tuck my canvas holder, because it's plastic, or the folding chair underneath the top of the flap and secure it without worrying about it getting damaged when sitting the bag down. They really didn't think that through!

• As for the tripod, I'm not yet sure how satisfied I am. Things like switching around my water container to get it within easy reach, adjusting the 'quick release' for the tripod adapter, etc. will take a few paint outs before I'll know for sure if I like it or not.

• I have gotten SO many things done in the yard!! Wow, what a difference working the equivalent of an hour a day makes. Of course that will slow down once the summer heats up and it's just too hot to work. And I really should cut my goal down to maybe 5 hrs. a week - that's much more practical and attainable.

• I have prepared some pots for glazing, so now I need to get them glazed!

• After spending way too many hours on my website trying out different styles, I've decided not to touch my website for now. It's just way too time consuming and I have too many other things I'd rather be doing!
  

• I painted out last week. It was a painting of a small koi pond with a waterfall. Well, I 'learned a lot'. I'll leave it at that.
  

Not sure what my immediate goals are for now. Of course to paint out. That's a given, whether I reach it or not! As for other goals, we're about to have new flooring installed, so not sure when that will begin nor when it will be completed. I just know we'll be busy moving furniture for now!

Good luck with your endeavors. Until next time, stay positive!

Painting in the Hollow: The Pines, Zbukvic, and Results from the Cone 6 Glaze Fire

I'm later than usual with my posting, but I wanted to wait 'til I finished and photographed my painting of the Pines in the hollow as I had said I would in my last post. Also wanted to give a report on how my glaze firing went, so here it is:

Painted our pine tree logs that I allowed the 'tree guys' to roll down into a small ravine directly behind the house. Silly me, I was running around after the guys felled the pines hauling them to a place in the back yard to save so that I can later do 'something' with them, what just yet I don't know. And with each one I would pass up, it was as if it were saying 'pick me, I don't want to go!' (I'm weird like that). Well, as it turned out, the guys were having a problem with the city (a place has been designated for disposal of trees from the ice storm damage) accepting the pine lumber (so they said). So I was very content to allow the men to leave all the pine with us. I really did not want those beautiful logs hauled away. Pine breaks down quickly and it just seemed right that they stay here. Oh, and the oak trees? Well, we've got enough fire wood for years to come!

I touched up the pines and added some highlights here and there in the studio.

The Pines, wc, 9 1/8" x 12 7/8"

I was so frustrated with it while painting in the woods, but kept reminding myself of what Joseph Zbukvic says, to 'keep going' when painting your subject outdoors and 'never lose faith' because as soon as you do, you'll fail at your attempt. He is so right! I kept painting, and although I wasn't satisfied, I did feel the painting had some potential. After about an hour, I was getting stiff from sitting on the ground, and also felt I may be getting a tick or two (which I later discovered was true) so I lumbered back to to studio, untaped my painting, threw it around here and there trying to decide what to do with it. Toss it to the done that pile, or keep going? The logs were only partially painted, but that was really the only thing left unfinished, aside from adding a little detail to the foreground trees. I just didn't want to give up on this painting. It held a lot of meaning for me. The hollow represented the final resting place for Daddy's pines. They represent 30 years of our life here, the lives of our girls, our pets, and a constant reminder of my father and his love for nature...nope, it was worth trying to save because as I looked at it, I could feel the emotion I had while painting them. It may not be the greatest painting, but it enabled me to work through the emotional and physical process of losing 'the pines', and hopefully viewers can be reminded of similar things that matter to them also.

Well, unfortunately, I was not so satisfied with my glaze fire. None of my cups turned out like I wanted, as the patterns I slipped on them barely show. The firing also went to cone 7 on the middle shelf and probably on the bottom shelf too (didn't use a witness cone on the bottom). However, that only seemed to compromise the brightness of the blue slip on one of my jars, but it may also be the reason for my slip decoration not showing up on the cups. I really think though, that [the slip doesn't show up] because my glaze application was too thick and my slip was too thin.

But I did have a couple of pieces turn out pretty good, such as the blue and white facetted 'safe jar' seen in this picture. The one in the foreground is the one that the blue slip did not come out on. The blue slip used on the inside however, did fine (fired it with the lid on). I may re-fire this piece later, as I've had success with the blue colors working on re-fires. Don't like to re-fire though. Always afraid the piece will break and create a mess in the kiln. Luckily, this has not yet happened to me. If I do decide to refire, I will only take it to about cone 5.

And my 'grass' cups turned out good:

These are some of my pendants. I'm have fun making them. I love making small clay things because of the portability. I can just sit anywhere and work on them. I carry everything I need around in a little shallow cardboard box and put a small amount of clay in a ziplock bag to keep it moist as it dries out quickly and will lose it 'malleable' texture if exposed to the air too long. I use food freezer paper, the waxed side as my surface to work on (sometimes getting a shape started by using the palm of my hand) as it leaves no marks on the clay. I draw out my patterns 1st on newspaper, then trace them using a felt-tip/sharpy pen on plastic tops of margarine and 'Cool Whip' bowls. These become my templates.

One final note for all you die-hard Joseph Zbukvic fans (like me) out there. He FINALLY got an official website, and also his new video, Watercolour Impressions with Joseph Zbukvic, is now available in the US via The Artists' Place. I bought it and very pleased with it. I could watch that guy paint all day. Maybe, just maybe one of these days I'll be able to take one of his workshops.

Well, that's all for now. I'll be posting again next week on a paint-out. Oh, and I've ordered the Sun-Eden watercolor tripod set. Will let you know what I think of it. I just can't keep lugging that 11 lb. french easel around; and so much wasted space, not to mention it's killing me. My shoulders, back, and knees, Oh my! Now I'll have one less excuse for plein air painting, as every time I'd think about all that weight, I would talk myself out of going somewhere to paint. I also plan on posting about my new macro lens (was my Christmas present from Santa) sometime in the near future. Until, then, happy painting, potting, photographing, or whatever makes you happy!

Now Where was I...

Oh yeah, when last posting, I was going down into the hollow to take some pics and assess the damage from the ice storm. Actually, it wasn't as bad as I first thought, given all the damage to people's yards and our streets. This is a pic of some trees on top of the slope that uprooted.
Surprisingly, many of the oaks that completely uprooted were fairly young trees, maybe because of their limited spread of roots. Some of the oldest trees took the storm much better. This image shows what a limited root system the young trees had compared to what a much older tree would have.

Many trees just split multiple times right down the middle of their trunks. This was especially true in town. Lawns look like they're landscaped with bouquets of 'toothpicks'.

Scenes of the bottom of the hollow:



Okay, enough pics of trees already! As I'm posting this, my husband is outside with the chainsaw cleaning up the mess and I need to go help. Back in a bit...

Cleaned up in the yard all day, now it's time to get back to art! I did accomplish one major goal over the past two weeks and that was getting my Etsy Shop set up. This is truly a milestone for me in goal-setting. Although I only have a few things listed so far, I feel that I can get things going now that I'm finally set up to sell on-line. Tomorrow I'll start testing my liner glaze tiles for durability. Will let you know how that goes.

'Sticky' Mess

What a mess NW Arkansas is! This is what it looks like in probably every town across northern Arkansas - on every street, in front of every house, piles and piles of sticks and other debris from the ice storm of last Tuesday.

I'm going into the hollow in a few minutes to take some pics of the damage. I walked a short way into it yesterday and was shocked. Not just tree limbs and upper halves of trees on the ground but manytrees completely uprooted throughout the hollow. It looks as though the Jolly Green Giant walked through knocking over trees at his whim. Very much like the aftermath of a tornado
or strait-line wind damage. It was too dangerous to go into the woods friday because of the wind gusts. Actually, the wind (I'm guessing) knocked out our power again friday afternoon. It finally came back on around 4:45 yesterday morning. But again, not to complain, as there are still people in our area without power. Once the crew comes to fall the damaged trees, our clean-up job is going to be huge, so for now, we can live with a messy yard.