I've been a bit busy lately with things other than art, but that should be no excuse for not painting! However, I like to be able to concentrate solely on my art when doing it. I'm now between 'projects' around the house so am anxious to get out and paint.
Below is the finished snow study I last posted, which was unfinished at the time.
I still have a couple of things I feel the need to correct, but for the most part it's complete enough - just need to tone down the moss covered rock in the foreground and add the same color a couple of places elsewhere. Also the small burnt red 'roof' in the upper-right background is distracting; in hindsight, I should have omitted it all together. Of course it's close enough to the edge of the painting that it can be omitted when framed. Or I could 'lift' it out some with water and add more trees. Also, there's a tangent effect going on between the large and tall skinny trees in the left foreground, creating too much tension and drawing my eye away from the focal point (the fallen trees and ravine to the right), but not much I can do about that. I just placed them too close together to begin with and I should have angled or slanted the smaller tree to the right instead of swinging it back to the left. Adding a light colored limb with a couple of others at different lengths to the left side of the tall young tree that's in front of the larger tree, I think, would help break that up though. Anyway....
I recently received Castagnet's new video and really like it. He gives more detailed info as he's painting in this one it than the last one i.e. specific colors he's using as he's painting. Yes, I realize that specific color being used is not important and that it's all about warm vs. cool, and value; however, I do think it helps us the viewer 'student' know, especially when working in watercolor, whether that warm or cool color is opaque, semi-transparent, or transparent, and even what brand is being used as brands do differ in color and other characteristics. I just wish he would occasionally demo something other than paintings with architectural subject matter. That's just personal preference though, I'm sure that he paints those because that's what he's 'passionate' about. And I'm still able to glean from the demos what I need in order to learn better technique. I'm hoping that Zbukvic will do some countryside landscapes on his next video. He probably will as he seems to really enjoy painting them.
There are a couple of artists' blogs I'd like to share with you, but will just mention one for now as I'm short on time at the moment. His name is Rene Beeldendkunstenaar, located in the Netherlands. His blog site is http://painting-pleinair.blogspot.com/ . When checking my blogroll updates, I can scan like lightening through my RSS feeds and spot his work immediately. I really admire this man's dedication to plein air, not to mention his paintings. Rene's paintings truly capture the essence of plein air. My reaction to his paintings is visceral and I relate very strongly to his taste in subject matter. Enjoy, and 'til next time, happy living and creating...(and I'll try to post sooner next time!)
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Thanks so much for your comments!
Becky